I’ve taken my camera with me to vote for the last several elections resulting in both good and bad experiences. When San Diego used touch-screen machines for the first time, I was able to get a shot using my digital SLR. On another election day, I was stopped and aggressively questioned by a poll worker for trying to take a cellphone photo.

Here’s the problem. The legality of cameras inside polling places isn’t black and white; the laws vary state by state. Plus, some poll workers have only received basic training and will apply their own judgement. The Citizen Media Law Project suggests four things to avoid getting yourself into trouble: follow the rules, be discreet, don’t interfere with voters or the process, respect the buffer zone.

In California, election codes aren’t particularly clear. They prohibit recording within 100 feet of anyone entering or exiting the polling place with the intent to dissuade others from voting. This is where the above guidelines come in; stay low-key and they’ll likely leave you alone. I spoke with the San Diego County Registrar of Voters and they said photography and video will be allowed up to 25 feet away.

While inside the polling area, California Elections Code says you must be in the process of voting (i.e. not using a camera), are limited to 10 minutes, and can’t show your vote to others (i.e. not documenting your vote). While it doesn’t specifically state “no cameras allowed,” legal precedent hasn’t cleared up the specifics. Government officials err on the side of caution. The California Secretary of State’s office says it has “historically taken the position that use of cameras or video equipment at polling places is prohibited, though there may be circumstances where election officials could permit such use.” When I spoke to the San Diego County Registrar of Voters, they said they won’t allow cameras inside the polling place except for credentialed journalists.

From a certain angle, this all seems very oppressive. This is a free country and I should have the right to video my vote, right? Yes, but other voters should also have the right not to be surveilled while voting. Poll workers are commissioned to protect the vote and can kick you out, even calling the police if you cause enough of a disturbance. This can all be avoided by sticking to the suggestions mentioned above. Pay attention and be careful not to record other people unwillingly.

Publish Your Photos and Videos on Election Day

• YouTube and PBS have partnered with Video Your Vote to gather first-hand accounts on election day. They’ve arranged the videos on a map to note voter intimidation and other problems at the polls.
• The New York Times’ Polling Place Photo Project collects images to create “an archive of photographs that captures the richness and complexity of voting in America.”
• Video The Vote is a watchdog group organizing people to document voter suppression and other problems.

(Attn. Homeland Security: In photography, “shooting” is a term we use for “photographing” someone. You know, as in “photo shoot.” So no need to worry. And by “worry”, I mean wiretap, surveil, or put me on a list. I’m not a terrorist.)

In July, I was fortunate enough to get the photo assignment to shoot presumptive presidential nominees John McCain and Barack Obama. They visited San Diego for the National Council of La Raza conference.

Barack Obama at the National Center of La Raza Conference

Obama delivered a speech punctuated by applause. But it was still a bit lukewarm compared to what I expected. I’d heard stories of his charismatic delivery and rockstar-like receptions. That was all there, I guess, but there was a lingering stress in the air. Obama needed to get defeated Hillary Clinton supporters excited about voting for him. He got loud cheers in reference to oppressive immigration raids, but applause was absent from his discussion of details: securing the border first, path to citizenship starts at the back of the line, fines for non-legal status, etc. When the speech was over, he shook hands with the students seated behind him and made his way slowly through the front edge of the crowd.

The press were given a sideline area at about half-court in the convention center’s large ballroom. My 70-200mm zoom lens only got me close enough for a decent medium-wide shot. I had to crop the shot above by 50 percent to get something usable. At this distance, my lens looked pretty weak compared to the pros bumping shoulders next to me — the ones you see at sports games with what look like space-age sniper rifles. I was disappointed that I wasn’t able to get closer and, more specifically, that we weren’t allowed to get any closer. The only concession was being taken two-by-two into the center aisle for about 60 seconds, once.

John McCain at the National Council of La Raza Conference

McCain’s appearance had a dramatically different tone. For starters, his wife Cindy McCain accompanied him on stage. It felt warmer than Obama’s solo performance, somehow less formal and more classy at the same time. I couldn’t help thinking McCain scored a few extra “family values” points with the Latino crowd. He spoke not as if he were trying to impress, but as if he were having a conversation with friends. He took questions from the audience after his speech. And after conference organizers said the Q&A session was over, McCain threw the microphone into the crowd to take another question.

Before the speech began, there were rumors that we’d be escorted in small groups to the front lines. Apparently the McCain people caught wind of photographer’s complaints and agreed to allow us better access than during Obama’s speech. The conference staff members I spoke with said the campaign staff set the rules in terms of press access, not the conference itself.

Conclusions

McCain’s performance was definitely the most interesting of the two candidates, not only in terms of his interaction with the crowd but in his campaign’s interaction with the press. But I’m not sure how much of a difference it makes in the end. Of the photos I uploaded to Flickr, Obama’s mediocre shots have been viewed more than twice as much as McCain’s more dynamic photos. And of McCain’s, two-thirds of his views come from the photos of his wife Cindy.

We don’t learn anything terribly valuable from these numbers. Yeah, Obama has more buzz than McCain. And on average, Cindy McCain has more than either of them. Perhaps it’s really only an indicator of the superficial nature of the statistical mob. We can only hope the people vote based on their version of who will be the best president, not merely on who will be a best looking one.

On our last trip to Guanajuato (November 2006), we took a detour from Rosario’s home state and headed to Amatitán, Jalisco for a tour of Casa Herradura, makers of Herradura and Jimador tequila. Rosario shot the tour with her new video camera while I took photos.

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I met Race Gentry standing with his antique camera and vintage flash lamp outside his mother’s home in La Jolla. I was there to record audio for an All Things Considered story and shoot video to accompany the interview on NPR’s website. Race is one of the few people around who uses the 100-year-old technique.

In typical tape sync fashion, Robert Siegel spoke to Race by phone. I stood next to Race, holding the mic six inches from his mouth — my recording of his voice would later be combined with the host’s voice by NPR editors, giving the conversation a higher quality, natural sound. Unfortunately, we had to stop the interview every few minutes because of the military flights going in and out of MCAS Miramar. We were also interrupted for trash collection. And again for recycling.

Race explained the process of pouring the powder in the tray, setting the percussion cap in place, pulling the trigger to ignite the cap, and the explosive flash that follows. The first flash lamp he demonstrated with wouldn’t fire. He was using toy paper caps, but the humidity or bad luck kept it from firing. He switched to another flash lamp that uses rare, original percussion caps. That definitely did the trick. The massive smoke cloud was pretty impressive.

Take a look at the final video, listen to the interview and hear the flash lamp sound. Race Gentry also has his own flash lamp videos on YouTube.

Whatever lingering cultural history may have once enshrined piñatas, I don’t think these kids are learning about its pre-Columbian heritage:

Principal Svadean: Look, Pedro, I don’t know how they do things down in Juarez, but here in Idaho we have a little something called pride. Understand? Smashing in the face of a piñata that resembles Summer Wheatley is a disgrace to you, me, and the entire Gem State. (Napoleon Dynamite, 2004)

You can’t help chuckle at the iron of a child bashing their favorite cartoon character with a stick only to be rewarded with candy. While I agree with Cindylu that piñatas are problematic, I can’t help smiling when everyone dive-bombs the ground, scrapping over Blowpops and Smartees.

Piñata Song

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Heading north through Tijuana on the Via Rápida, getting gas for $3/gallon, crossing the border, driving on the I-805 in San Diego.

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