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	<title>Comments on: Public Art at Tijuana Border Crossing</title>
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	<link>http://www.nathangibbs.com/2007/04/06/public-art-at-tijuana-border-crossing/</link>
	<description>border life, art, photography, cultural critique</description>
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		<title>By: Global Voices Online &#187; Mexico: Tijuana: &#8220;Between a Window and a Door&#8221;</title>
		<link>http://www.nathangibbs.com/2007/04/06/public-art-at-tijuana-border-crossing/comment-page-1/#comment-10244</link>
		<dc:creator>Global Voices Online &#187; Mexico: Tijuana: &#8220;Between a Window and a Door&#8221;</dc:creator>
		<pubDate>Sat, 14 Apr 2007 01:08:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.nathangibbs.com/2007/04/06/public-art-at-tijuana-border-crossing/#comment-10244</guid>
		<description>[...] Nathan Gibbs on Oscar Ortega&#8217;s sculpture &#8220;Entre Ventana y Puerta&#8221; or &#8220;Between a Window and a Door&#8221; in Tijuana: &#8220;He explained the title as a description of Tijuana&#8217;s physical (and perhaps psychological) situation. It&#8217;s an incredibly transited city, but has no seaport, making its coastline only a &#8220;window.&#8221; The &#8220;door&#8221; refers to the U.S. border &#8212; a door locked for many. The piece, like the city, is rich with layered symbols: the hand of Mexican labor, cars circle the base endlessly, the round indigenous blocks carved with the men&#8217;s bathroom figure, the jumbled mosaic like the residential architecture covering Tijuana&#8217;s hillsides.&#8221;    Share This [...]</description>
		<content:encoded><![CDATA[<p>[...] Nathan Gibbs on Oscar Ortega&#8217;s sculpture &#8220;Entre Ventana y Puerta&#8221; or &#8220;Between a Window and a Door&#8221; in Tijuana: &#8220;He explained the title as a description of Tijuana&rsquo;s physical (and perhaps psychological) situation. It&rsquo;s an incredibly transited city, but has no seaport, making its coastline only a &ldquo;window.&rdquo; The &ldquo;door&rdquo; refers to the U.S. border &mdash; a door locked for many. The piece, like the city, is rich with layered symbols: the hand of Mexican labor, cars circle the base endlessly, the round indigenous blocks carved with the men&rsquo;s bathroom figure, the jumbled mosaic like the residential architecture covering Tijuana&rsquo;s hillsides.&#8221;    Share This [...]</p>
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	<item>
		<title>By: Iztaccihuatl</title>
		<link>http://www.nathangibbs.com/2007/04/06/public-art-at-tijuana-border-crossing/comment-page-1/#comment-9952</link>
		<dc:creator>Iztaccihuatl</dc:creator>
		<pubDate>Mon, 09 Apr 2007 17:08:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.nathangibbs.com/2007/04/06/public-art-at-tijuana-border-crossing/#comment-9952</guid>
		<description>Wow, I&#039;m impressed with this post! I really enjoyed reading it.</description>
		<content:encoded><![CDATA[<p>Wow, I&#8217;m impressed with this post! I really enjoyed reading it.</p>
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		<title>By: Fred Clark</title>
		<link>http://www.nathangibbs.com/2007/04/06/public-art-at-tijuana-border-crossing/comment-page-1/#comment-9944</link>
		<dc:creator>Fred Clark</dc:creator>
		<pubDate>Sun, 08 Apr 2007 15:55:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.nathangibbs.com/2007/04/06/public-art-at-tijuana-border-crossing/#comment-9944</guid>
		<description>Excellent writing.  I will be adding this spot to my links.  Thanks.</description>
		<content:encoded><![CDATA[<p>Excellent writing.  I will be adding this spot to my links.  Thanks.</p>
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